SCREENWRITING

My most recent venture, I was drawn to Screenwriting because I was always unhappy with my Prose, yet always fond of my plot, characters and dialogue.

It’s taken a while to get my head around the specific formatting, but it’s now the medium in which I write the most.

Coverfly

PHAETHON

When their pleasant suburban lifestyle is upended by a vicious and dubious power, seven teenagers must confront adulthood, family, and the unnatural. Currently trying to pitch it to a large studio.

First 16 Pages

Likeness

Currently working on: First Draft

A ‘Black Mirror’ style look into AI use in the film and TV medium. The hour-long episode follows Tim, a common criminal who has to deal with the fallout of a botched AI scan as he tries to escape his past.

The Waynes

The Batfamily as they’ve never been seen before. A mockumentary style look into the daily comings and goings of the Batcave, reminiscent of The Office. Exploring the complex relationships within the group, and the tensions of catching villains daily in a comedic light.

Currently working on: Pitch Deck

Young Blood, Reckless Abandon

This story was born from a very restless period. Late 2022, where I was being very productive in my academic exploits, yet felt unfulfilled and unsatisfied. My first attempt at a feature, I have started working on it again and am very happy with its progress.

Currently working on: Finishing First Draft

First 20 pages

The Orange and His Girlfriend

This one I got further into. I wrote the 45 pages over two days in late 2022, as I had a pretty clear picture of how I wanted it to look. I lost steam though, around the midpoint. I realised there were some good moments but I didn’t feel very strongly about it anymore.

Currently working on: Finishing First Draft

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